Follow the voice
It is a reflection of egos of today. No young conductor comes up knowing their craft really, slowly saturating to the music, understanding beautifully that many voices can sing a role, with help, some voices SHOULD be singing the roles, and some shouldn’t be hired at all. They come quick out of school and want to be the next great…..”Santini”…..
Mozart sounds like Rossini, Verdi sounds like Mozart, and they all sound alike ; badly fitting shoes that like to walk fast to get home to take them off because they hurt.
This alarming miscalculation of time coming with a maestro of some twenty years career is a riddle to me. Where is the respect for the piece, the singers, and for goodness sakes, the Metropolitan Opera and it’s fabulous orchestra?
The men who beat time, in opera, should rehearse well, but in performance, especially with those that are artists, however quicksilver they can be and willfull, they should FOLLOW the voice. Personality is missing so much from opera today, encourage it…. inspire it….If you want to conduct something without voice, do a symphony. And learn it first, please.
Her choices are not always what I would want or do, but when she sings you know you are in the presence of a special message and a unique soul and voice, and I applaud her great courage and resounding success in so glorious a role under such a trying circumstance. Brava with only more beauty and calm to come.
and for this Byronesque handsome young man, congratulations; beauty of voice and melody always first, God took care of the rest for you.
To all my friends and colleagues in this production….. un bacio grande…… Viva Verdi, in this hauntingly beautiful, fragile, masterpiece.